| American versus International? |
And the battle goes on and on. There are so many misconceptions and so many
people take it so far that it looks as if that these are two different
animals (for the lack of a better word). It really all depends on you.
I feel that it distorts the whole picture and presents an off-balance
view of ballroom dancing.
What is American Style?
In the early 1900s, America was taken over by a dance craze and
everybody was doing fox-trot, waltzes and tango in their living rooms
and open outdoors alike to His Masters Voice. Then came Arthur Murray,
Freddie Astaire and Ginger Rogers, presenting the artistic side with
beauty and grace that very few can match. Murray and Astaire became
successful in franchising dance studios all over America and
standardized a syllabus, which became the American Style.
What is International Style?
During the same period the dances were being studied in England and
were given an English form with a little more emphasis on hold, foot
positions and footwork. Interestingly enough, G.R. Anderson, an
American and an English lady, Josephine Bradley, shook the world by
showing SLOW FOXTROT that was never seen before. They won the most
prestigious trophy, "The Star Ball," in London in the 30s. A faster version
of Foxtrot became Quickstep and so developed an English style with diagonal lines in all other ballroom dances. Mr. Walter Laird is
credited with the Latin development in England. The world took over and
accepted this style and so came the term "the International Style."
Are
the two styles different? Well, well, well-YES and NO! The two
styles are different in figures and patterns, etc., but any good teacher
or top-level dancer will tell you that the technique is more or less the
same. Let's consider some aspects in ballroom category.
Hold, Posture and Balance, Lead and Follow:
Any
difference in the two styles? Hardly. Someone may say that in American
style we hold the lady more apart, like when doing a magic step forward
(Arthur Murray syllabus). Actually it is done as a matter of
convenience for an absolute novice or two strangers dancing the first time
together. The general principles of hold, posture and balance,
connection, tone and lead and follow provide the same basis in any
style of dancing. The man is erect, the lady is slightly offset to man's
right, so they won't step on each other's toes. She is slightly (only
slightly) poised back and to her left. Everyone should agree that hold,
posture, balance and lead and follow will not be different.
Figures and Patterns:
This
is where a lot of differences can be identified. However, recently, I
have noticed more and more borrowing from one another. I see many top-level international couples using open work to introduce their showcase
routine. They also end it with some exotic American style or theatrical
patterns which are very pleasing to the audience. By the same token I
know that American style competitors constantly take coaching from International teachers to work on their technique and produce a better
quality of dance. In competitive dancing though there is usually a
demarcation line and couples should adhere to strict rules.
So,
shall I end this by saying let's just keep dancing happily and strive
to achieve a higher level of dancing just as we do in tennis or golf, or
whatever. Let's leave a lot of room for personal freedom and choice but
not loose sight of quality!
Exerpted from Dancesport UK, Tid-bits
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